Room + My Dinner with Andre

Taking a break from civic duty to come in from the cold. The barrier between dystopian fiction and one of the darkest weeks in American history. Horror fans loved the fuck out of Room (2016), despite it’s non-horror trappings. Or was that Room (20156)? The brutality before and after Room. Lenny Abrahamson creates a world out of tiny details. My Dinner with Andre is decimating in a way you probably didn’t plan for. Look at your fucking life, kid. That meme where My Dinner with Andrew predicts modern times or whatever. Things stay warm and fuzzy as Double Feature re-ups the promise to delivery a safe haven every week. Continue reading

Platoon + Fear and Loathing in Las Vegas

War and peace goes a step further. Herem Suicide clears up the previous Russian message. All Additional Content is now publicly available AND there is a brand new Double Feature store! Peace – still just a codeword for drugs. Two sober pacifist atheists talk about a war they weren’t alive for, then about drugs. Iraq crops up again. Taking the war home (some more). Oliver Stone gets a pass for helping tell the story of Edward Snowden. Obama still has a few days to fix that mess, by the way. Manning was a good start, come on POTUS. Platoon further reveals the emerging pattern in war films. Taking a trip with Fear and Loathing in Las Vegas. Michael does zero drugs and then freaks the fuck out. Eric’s adventures in bat country. Who was Hunter S Thompson? A primer on Gonzo journalism that Double Feature hopefully didn’t fuck up. Mmmm, Annathesia. Continue reading

Intolerable Cruelty + How to Lose a Guy in Ten Days

The cinematic legitimacy of the romantic comedy. Ivylina Suicide brings an important message from on the ground in Russia. Don’t forget Intolerable Cruelty! Joel and Ethan Coen do a film noir (is what you can tell your friends when you watch their rom-com). What Billy Bob Thornton shares in common with a screaming goat. Was Double Indemnity a date movie? Soft motion chase montage! The psuedo-Cosmo magazine column How to Lost a Guy in 10 Days for Composure magazine. Fashion girls and sports guys. Films representing reality. The nightmarish cover of Carly Simon’s You’re So Vain. Politics and news coverage have basically become reduced to headlines Cosmopolitan would even take a pass on. Continue reading

The Great Santini + A Little Princess

The Great Santini + A Little PrincessGrowing up in the empty shadow of military fathers. The great Erica Fett (aka Phecda Suicide) claims the role of happy warrior. What if the military was thought of as a job? Throwing yourself into something. Whiplash’s obsession in the name of greatness vs The Great Santini’s achievement of greatness. The consequences of leaving normal life behind. The most unnecessarily evil scene in Double Feature history. Everyone loves Vincent,A Little Princes as the unsuspecting film of now-colossal filmmakers. What an adult sees when childlike wonder fills the room. What kind of movie is A little Princess and what do those movies look like now? Erica Fett promises something is coming…but what is it? Continue reading

Computer Chess + Alphaville

Computer Chess + AlphavilleMan vs machine is never really about machines. Machines always teach us about humanity. Lots of details from Sid Suicide. One theme spirals into many trains of thought. The continuing history of struggles in art, technology, and humanity. Computer chess is what everyone but Michael thinks it is – or, the elaborate hoax of Andrew Bujalski. Old technology is funny whether it wants to be or not. People make terrible predictions about the future. Just your everyday average dystopia with Jean-Luc Godard. Lemmy Caution visits the distant space city of Alphaville. Von Braun hates what makes society feel alive. Parts of society, anyways. Machines teach us about ourselves. Continue reading

Giuseppe Makes A Movie + Gold Diggers of 1933

Giuseppe Makes A Movie + Gold Diggers of 1933Alternative filmmaking through fact and fiction. The real, no fucking kidding Luci Suicide. A new quest for information. Who is Giuseppe, and isn’t it Adam Rifkin making a movie? Giuseppe Andrews as the unlikely horror folklore hero. Film making ethics, for fun and fix. A voice for the voiceless via no-hold exploitation. Is Giuseppe Makes a Movie celebration or tragedy or all of the above? Getting the shot at all costs. Gold Diggers of 1933. Gold Diggers of 1993. Gold Diggers of 1399. Gold Diggers of nineteen twenty, nineteen twenty-nine, nineteen Paris and other nineteens. London After Midnight and lost films. Petting in the Park and Who You Calling Ma’am! Continue reading

Dead Ringers + Bad Biology

Dead Ringers + Bad BiologyA completely serious look at two unsexy films about sex. Or sex-parts, at least. LuFae Suicide makes things feel like home again. Dead Ringers sets the level for subtle right at the title. Jeffrey Irons, alone with you. Love, drugs, and sex. Partner sharing somehow makes things whole again. Obsession, however far away. What’s the best one you’ve ever seen? Can’t spoil whatever words you say. Twenty four minutes later and clean again. The basket case. Frank Henelotter makes the audience feel young again. A single level of tact, however long it stays. Promising the best. Bad Biology feels like being free again. The producer’s end credits rap song. …howeverfaraway I will alway love you. Continue reading

Open Windows + End of Watch

Open Windows + End of WatchThe unique point of view kills it once again. Dallas Suicide puts the real world on hold to talk about what could have been the zeitgeist. An important public service announcement regarding beavers and whether or not they are good. Celebrity, privacy, and the second porn start on today’s episode of Double Feature: Sasha Grey! Elijah Wood makes more horror films. What’s justified, as if that matters? The internet destroys humanity, nihilism ensues. Everyone’s naked on the internet, so now what? A commentary about cops in America that doesn’t even seem possible today. Sympathy for the officer, lives of blue, and things End of Watch thankful got away with. The right time and place for preserving a conversation. The timeline of police brutality in the United States. This is still happening, even though everyone’s preoccupied with other forms of terrible now. Continue reading

Rope + The Exterminating Angel

Rope + The Exterminating AngelBottle films are starting to get a little ridiculous. Annasthesia Suicide begrudgingly delivers the episode and a few updates. No one is allowed to talk about Rope’s camera work today. What actually happen in Alfred Hitchcock’s film Rope, besides close ups of people backs? People fall off the dinner party bandwagon. Trapped forever by your own mind – bottle films go psychosomatic. Everything (that was) wrong with the world (before November 8th) can be solved with The Exterminating Angel. Double Feature delivers a fifty year old film that’s telling us how to move humanity forward but no one is listening. Watch The Exterminating angel, humanity. Please watch it. Please. Continue reading

After Life + The Lobster

After Life + The LobsterTwo movies to pause for personal reflection. Ruby True Suicide has some things to say about Double Feature. This episode contains spoilers. Eric says perhaps the single saddest thing in near decade history of the show. Michael helps find the best memories, all of which are made during the episode itself. A world so large you could live in it forever. Is becoming a lobster such a bad thing, just because of how your body is horrifically mutilated? A resistance that isn’t very good at being The Resistance. Continue reading