podcast-coverartDouble Feature is a weekly audio show available here, on iTunes and at various other platforms. In this free podcast, Eric Thirteen and Michael Koester discuss two movies in-depth. Double Feature takes a positive look at films of all genres, finding even horror and exploitation movies have amazing things to offer.

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Don’t Breathe + The Good Neighbor

Don’t Breathe + The Good Neighbor

Suburban crime: breaking into the old man’s house edition. Crime on the victim’s turf. A secret basement double feature! The morality pendulum swings! When you get too close to the antagonist, horror happens. If you’re too far away from the antagonist, horror happens. Horror often creates a fantasy world where the audience can be threatened by forces they will never encounter in real life. These two movies show the horrors when those fantasy rules are assumed but do not apply. High concept horror. The most intense, what the fuck scene in the last year of horror. Candy corn lasts forever. Warning: do not put candy corn in your stomach as only bad will come of it.

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It + Nosferatu the Vampyre

It + Nosferatu the Vampyre

Embracing the increasingly popular month-long October horror obsession. A celebration of classic remakes gone double classic. New Line Cinema releases IT, completing their rags to riches story with an incredible moment in the mainstream popularization of horror. Creating a new cult icon does not undo the original cult icon. It as a pop-culture carnivale ride. What’s good for the industry’s good for the genre. Looking back at the impossible creation of Werner Herzog’s Nosferatu. By vampire, they mean Dracula. Rats Rats Rats. Is Nosferatu the Vampyre more Nosferatu or more Bram Stoker’s Dracula? A return to the macabre. Announce Double Feature’s big 2017 surprise.

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I’m a Cyborg But That’s Ok + Heartbeeps

I’m a Cyborg But That’s Ok + Heartbeeps

Love and Bots. Double Feature is about to release something HUGE – sign up on Patreon before the next episode and find out what. https://patreon.com/doublefeature Even more news? Eric Thirteen has a new film, DISPOSITION, and it’s playing all fifty states and around the world. Get notified when it plays near you at http://dispositionfilm.com. Finally, humans need ice cream. I’m a Cyborg But That’s Ok tackles care through mutual instability. The title hypothesizes a stance on fantasy vs delusion in recovery and coping. People don’t let people believe delusion. Also, separate topic, what the fuck is Heartbeeps? Stan Winston receives an award, Andy Kaufman gives a final performance, an this is the film that disappears into obscurity? The state of robotics in the 21st century and it’s impact on film. And on jokebots. Also important. Continue reading

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Buffalo 66 + Chinatown

Buffalo 66 + Chinatown

When sketchy individuals make great films – what is the moral imperative of an audience in reaction to the art of those alleged to have done wrong, both well after the film and on the set of the very art itself. Using these two films as a launching point for a conversation about “problematic artists,” it should be noted that these specific individuals may be complete innocent. But if they weren’t (and other artists aren’t), how far can art go to produce results? In Buffalo 66, controversial director Vincent Gallo is alleged to have abused Christina Ricci on set. Together they created something amazing, although it certainly has an unintentional factor to it. Should the film be boycotted? How should it be presented in the future? Does this all hang on the opinions of the person abused? A note about A Continue reading

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The Raid 2 + Crank 2: High Voltage

The Raid 2 + Crank 2: High Voltage

How to double down. Two undeniable action films get equally influential sequels (which is to say, why the fuck did these not influence everything that followed?) The Raid: Redemption: Two: 2: Berandal. Crank (2) High Voltage. Fuck you, Chellios! Eric plants seeds; a beautiful tree grows. Why there are no eyeballs being drilled out in Die Hard. Something that makes breaking out of the mold that much more more difficult. Crank 2: Beind Belief. Listen to movies, they know the world they take place in. Where has the action hero gone? Mike Patton is The Darkness (and one thousand other sounds).

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When Harry Met Sally + That Obscure Object of Desire

When Harry Met Sally + That Obscure Object of Desire

Romantic entanglements aren’t helped by toxic masculinity. Eric’s ex-girlfriends present: anti-romance! Double Feature has survivor’s guilt in Austin, Texas and Los Angeles, California. Drafthouse personally apologizes for a hurricane. Rob Reiner introduces Harry and Sally and ellipses. A man thinks men and women can’t be friends but that was back when there were only two genders no seriously. Is When Harry Met Sally… about people or relationships or humanity? The infamous fake orgasm diner scene. Luis Buñuel, or as he is more commonly known, the Spanish Rob Reiner. Buñuel wants you to know: we do not live in the best possible universe. Strangers on a train…also talk about orgasms. Who is the true obscure object of desire? Continue reading

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Yoga Hosers + Theater of Blood

Yoga Hosers + Theater of Blood

Fuck the critics! Films resist the people who watch them, and get off on tormenting the people who judge them. First: Two teenage yoga enthusiasts team up with a legendary man-hunter to battle with an ancient evil presence that is threatening their major party plans. Kevin Smith will do anything he fucking wants. What was that? A convenience store? For the true fans? Oh totally, not a problem at all. Actually, what about three of them? Great, three convenience store movies. Wait, you guys were asking about these Degrassi movies, right? Then: A Shakespearean actor takes poetic revenge on the critics who denied him recognition! I mean, probably a Shakespearean actor. Vincent Price in sandwhich-face-face. Continue reading

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Soul Man + It Happened Here

Soul Man + It Happened Here

Why art? Bad art, tasteless art, controversial art. Should some art not exist? Racism and dystopia. A poorly timed double feature – thanks, American. Soul Man, a movie that should probably be seen before heard. Seriously, do it. Double Feature can’t be responsible. Order is in debate. Straddling a thin line for an impossible amount of time. One man’s historic atrocity is another man’s first black steps on the moon. Once indefensibility is exhausted. It Happened Here – and it totally can, and actually sort of has. 2016’s Nazi-Sympathizers are 2017’s Nazis. Collaboration in the United States of America. The place dystopian literature earned in cinema. Why paint cruel words? What can be gained from brutal fiction. Playing devil’s advocate to the even less defensible. Continue reading

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Barbershop + Wall Street

Barbershop + Wall Street

Differing economic headaches. Decade-specific economic problems. Tangible goods and services and abstract investment. Black ownership as depicted on the south side of beautiful Chicago, Illinois. Ice Cube returns in another great movie that no one expects to be great. Well, no one on Double Feature. Well, ok, no one on half of Double Feature. Never underestimate Cedric the Entertainer. Easy money and hard times. Money, sleeping, and Oliver Stone’s 1987 film Wall Street. What do the economic representatives have in common? No no, besides being white. Gordon Gecko is not to be idolized. Making money moving pieces around a spreadsheet. Oliver Stone running around a…call center, or whatever Continue reading

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The Breakfast Club + The Hateful Eight

The Breakfast Club + The Hateful Eight

Two writer directors take on social interactions trapped in a room. A pack of individuals spend that day together, learning to rise above their own differences in sharing the human experience with their fellow man. Or killing each other maybe. These high school cliques certainly have a very white thing in common. Learning about John Hughes through one of his most popular and lasting films, The Breakfast Club. Everyone gets punched by their father and no one really likes it. When adults talk. The greater purpose of learning to live and love your peers regardless of class – to distract yourself from how fucking terrible growing up is. The eighth Tarantino film: The Hateful Eight. Big black cock. Double Feature finds a fresh new appalling. Quentin Tarantino gets better and better. Story telling Continue reading

Members

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