podcast-coverartDouble Feature is a weekly audio show available here, on iTunes and at various other platforms. In this free podcast, Eric Thirteen and Michael Koester discuss two movies in-depth. Double Feature takes a positive look at films of all genres, finding even horror and exploitation movies have amazing things to offer.

Be notified of special Double Feature bonuses, news, and other projects!

Birdman + Punch-Drunk Love

Birdman + Punch-Drunk Love

Actors breaking free from their shackles. Keaton is back in the rumor mill, and this time it isn’t a Beetlejuice remake. Whether he’s going to play Batman again or not, he will certainly always be the Birdman. Michael Koester insists on calling the 2014 film Birdman “Birdman or (The Unexpected Virtue of Ignorance).” Why would you start the parenthetical after the word “or”? Shouldn’t it be Birdman (or The Unexpected Virtue of Ignorance)? The single take and how to solve the problem of scene tempo. Adam Sandler, also doing whatever the Adam Sandler version of Beetlejuice 2 is. Punch-Drunk Love is also a weird film for Paul Thomas Anderson. Continue reading

Cooties + Little Monsters

Cooties + Little Monsters

Spontaneous tiny humans zombie double feature. The secret indie film pitch deck. How to see the lookbook for Cooties. The cast and that timing and the reaction. How films with kids can achieve an extra level of subversion. Jonathan Milott and Cary Murnion are HONEST. Little Monsters, but not the one that two people are expected to spend 20 minutes breaking down. What is Little Monsters actually about. The pandemic catches up to Double Feature. Being alive is still hard (and it’s not even 2020 anymore). Continue reading

Horse Girl + Possessor

Horse Girl + Possessor

Sneaking in two final movies on the last day of 2020. Prepare for intense rides! It’s time to enter someone else’s mind, and it begins with Horse Girl. Determining how much is real and how much is artistic license. Using the performance of an actor as a tool to sell something in the plot that wouldn’t work otherwise. The level message at the fucked up end of Horse Girl. Possessor, a shock as seen by people who who are new to Brandon Cronenberg. The unexpected delivery. The highest compliment you can pay a film. Searching for an undiscovered sex act. Or really just anything in a film that no one has seen before. The surprising end to 2020: it only takes two movies to discover hope for a year many wrote off. Continue reading

Mank + The Assistant

Mank + The Assistant

Time is running out for 2020. The invisible authority and the roman à clef. David Fincher and Netflix. What the film Mank says it’s about vs what it is actually about. Imagining the story of Mank just 25 years ago. A film torn from today’s headlines, masquerading as a story from the 30s. No one else wants to talk about how gross classic Hollywood was. Why are we still romanticizing this old way of thinking? Nine Inch Nails also released a Ghosts double album this year: [HALO 33] Ghosts V: Together and [HALO 34] Ghosts VI: Locusts. The Assistant as an example of film à clef. When social injustice becomes a cliche. Finding a unique vantage point into a story the audience knows. How long before the whistleblower can blow the whistle? Continue reading

White Girl + King of New York

White Girl + King of New York

Celebrating New York with a random sampling of New York drug crime. Half of Double Feature explores a brand new city! Starting on the streets with White Girl. A disagreement over the privilege of White Girl when also considering she’s the victim of various sex crimes, assault and harassment. Still, look who’s not in jail! The unique position of having to do more of the crime that got you in trouble in order to get out of trouble for that crime. King of New York provides that perfect contrasty 90s NYC mood. Who can believe Christopher Walken, Steve Buschemi, Laurence Fishburne, Wesley Snipes, it’s really just crazy town in here. A city with so much crime, only the criminals can stop it. Continue reading

L.A. Story + Under the Silver Lake

L.A. Story + Under the Silver Lake

Double Feature takes a look at Los Angeles, old and new. Vibes. Eric makes an announcement about the immediate future of 50% of Double Feature. Magic adventures through Hollywood, DTLA, Silver Lake, and not The San Fernando Valley. The personal automobile: the festish Los Angeles just can’t quit. What do people do in the city? Go out to eat and drive around in their car. The most infuriatingly true part of L.A. Story: this thing you’re making isn’t wacky enough! Michael, a guy who didn’t love It Follows, thinks Under the Silver Lake is the best film of the year. The question of personal autonomy. Los Angeles in your twenties. Awful men, drifting through life. Continue reading

Whiskey Mountain + Two Thousand Maniacs

Whiskey Mountain + Two Thousand Maniacs

Another look at exploitation. Newcomer William Grefé meets returning champion Herschell Gordon Lewis. How does southern-fried exploitation film feel after America’s 2020 swing back toward democracy?

Scare Me + Creep

Scare Me + Creep

Spending a little quarantine time with friends. Two films that are beyond gimmick. First up, Scare Me is a 2020 film that takes the anthology formula and then makes life even harder for itself. Breaking down the character arcs from the film’s logline. The secret anthology relationship Scare Me still has – hint: it’s not the segments, it’s the other part. Secondly, Creep. Eric struggles to describe Creep without asking if one of the characters is a Creep. An impossibly good found footage film that might be as good or better than all the other found footage films. Admit it already, found footage is interesting and you like it. Secret third double feature theme today: two films that have other films by the same name, and in Scare Me’s case, another film from this very year. What, were there just too many horror movies in 2020 for each one to have a unique title? Continue reading

Whisper of the Heart + Anomalisa

Whisper of the Heart + Anomalisa

The adventure continues as Double Feature pairs up another Studio Ghibli film with a stop motion film. Digging deep to find the best and worst in yourself. Whisper of the Heart is a Studio Ghibli film like few others. Waiting for a floating what-not. Self discover and ambition. Anomalisa might be stop motion, but that’s only the beginning. Anomalisa’s many devices. Continue reading

Joe + His House

Joe + His House

Try watching a movie the week voters in the United States finally defeated the president. After four long years of heartache – and with the pandemic now spiking again – Americans have decided to put someone new in charge. They’ve done so by casting the most votes than any candidate has received in history. Double Feature celebrates the decisive victory by taking an honest look at any otherwise throwaway joke with Joe + His House. First up, Nicholas Cage should be who everyone thinks of when you hear Crazy Joe. Michael has conflicts with the fly-over states. His House is a surprisingly deep and rich film with a multitude of layers. Internal conflict vs external conflict. Past vs future. A schism in the unit. Racism, immigration, ICE and the rest. Britain as a kind of Trojan horse. Continue reading