Double Feature makes two intimidating films by even more intimidating directors completely approachable. David Lynch and Lost Highway. Where you’ve heard Angelo Badalamenti. The return of Trent Reznor. Did David Lynch write The Perfect Drug? The look of Lost Highway. Focal point in the most shallow depth of all fields. Putting your camera in creepy places. Minimalistic home design and it’s impact on implied lighting. The 1950s. The tapes. Lens Whacking. Bear or No Bear film making. Driver down. Psycho. Alfred Hitchcock’s distrust of the police. The Hayes code. Toliet outrage. Playing clue. Do not tell your friends. Alfred Hitchcock thinks you’re a fucking dolt.
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Lost Highway
Released: February 21, 1997
IMDB | Wikipedia
Director: David Lynch
Writer: David Lynch, Barry Gifford
Starring: Bill Pullman, Patricia Arquette, John Roselius, Michael Massee
After a bizarre encounter at a party, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic and begins leading a new life.
Psycho
Released: June 16, 1960
IMDB | Wikipedia
Director: Alfred Hitchcock
Writer: Joseph Stefano
Starring: Anthony Perkins, Janet Leigh, Vera Miles, John Gavin
A young woman steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.
