Tag Archives: Bong Joon Ho

Snowpiercer + The Favourite

Snowpiercer + The Favourite

Manipulation on a scale from least to most delicious. The podcast episode discusses the themes present in the films Snowpiercer and The Favourite. Snowpiercer follows the story of a rebellion on a train carrying the last remnants of humanity after a failed experiment to stop global warming results in a new ice age. The film explores themes of class struggle and the consequences of greed and power. The Favourite, directed by Yorgos Lanthimos, is a historical drama set in early 18th century England that follows the tumultuous relationship between two cousins, Sarah Churchill and Abigail Masham, as they compete for the favor of Queen Anne. The film delves into themes of manipulation, power dynamics, and the corruption of personal relationships. Both films examine the destructive nature of societal hierarchies and the lengths individuals will go to in order to attain and maintain power.

Memories of Murder + The House That Jack Built

Memories of Murder + The House That Jack Built

Punishing cinema gets criminal. Memories of a Murder subvert the ringer trope. What makes this Bong Joon-ho film truly upsetting. South Korean cinema creeps up on Double Feature in a retrospective of the films covered so far. The unrated cut of The House That Jack Built and the MPAA fuckery that caused it. A report from the sold-out one-night-only showing of Lars von Trier’s uncut killing spree. Art is Murder. No, you’re thinking of The Smith’s song. Getting away without rolling the eyes. How The House That Jack Built provokes in new ways. The stories about Lars and how they feed into the controversial film. Always remember: fuck Hulu. Continue reading

The Host + Monsters

The Host + Monsters

The internet’s favorite monster films! The Host, as in the Korean 2006 The Host. Pushing aside the usual monster treatment talk for politics and humanism. The confusing relationship between pacifists and the military. Understanding cultural comedy. Agent Orange and a more modern look into cautionary atomic commentary. Gareth Edwards’s 2010 shoe-string budget picture Monsters. Unintentional immigration commentary proves obvious to everyone but the filmmaker. How a tiny independent film dressed up as a blockbuster. Something you may have missed from the end of Monsters. Continue reading