
Two emotionally damaged people go on the warpath. Creating a pitch for Destroyer. The marketing and presentation of Destroyer – which buttons to push? Not the first Karyn Kusama for Double Feature. Taboo sexual encounters for the record books. Elevated police procedurals, a twist on structure, and a different kind of Los Angeles. You Were Never Really Here gets another half-hearted pitch in an attempt to lure out it’s themes. Bizarre structure strikes again. You Were Never Really Here as a picture of toxic masculinity. Continue reading