Tag Archives: Sam Raimi

A Simple Plan + Logan Lucky

Posted on December 12, 2019 by Eric Thirteen
A Simple Plan + Logan Lucky

Crime without gloss. Looking into the heist with A Simple Plan and Logan Lucky. Join the Patreon and suggest some films, maybe have Eric read your name every show. Uncut Gems is notably not part of the Double Feature. Temporarily embarrassed millionaires. Education vs riches. Money doesn’t matter. Sam Raimi’s A Simple Plan is full of extremely elaborate plans. Different decades’ notions of how well dumb people can commit crimes. Soderbergh returns to Double Feature with Logan Lucky. The mystery of Rebecca Blunt, who may or may not exist, but definitely got Soderbergh to come out of retirement to direct. CSI KFC. Odd, great performances. Smart films about dumb people. Eric’s crisis about dumb people being wildly successful. When a lack of inhibition helps you get ahead.

Killapalooza 22: The Evil Dead

Posted on June 5, 2014 by Eric Thirteen
Killapalooza 22: The Evil Dead

The Evil Dead films 1-4. How an indie film that wouldn’t pass the film-class final became one of the most ifluential horror properties of all time. The power of rhythm and repitition. Aggrivated industrial loops (and other secrets Trent Reznor already knows). Continuity. When and why a film would strive to make sure the audience is uncomfortable – even as far as actively having a bad time. The possessed camera. Evil Dead and the nature of evil. How do you reconcile Evil Dead 2 with the original Evil Dead? What’s canonical. An unpopular opinion on Army of Darkness. The Ash Factor. Wild horses. Using the power of the remake for good. Continue reading →

Inside + Drag Me to Hell

Posted on March 25, 2010 by Eric Thirteen
Inside + Drag Me to Hell

How to correctly pronounce the word “homage.” There are spoilers everywhere. No one is safe. Inside (À l’intérieur) as part of the New French Extreme / French Extremism / New French Extremity. American dominance in the horror genre. Using more violence than actually necessary. Identifying and breaking cinematic cliques. A familiar situation with a new feeling. Surprise vs anticipation. New angles for manipulating an audiences’ hopes and expectations. Using sound to torture your audience. An alternative to the horror movie body count vs time quota. The history of pregnant women in horror films. The rare and complicated breed of humor found in in Drag Me to Hell. Sincerity. “So bad it’s good” movies. Tricks to convince yourself to like the lazy parts of Drag Me to Hell. Continue reading →