Author Archives: Eric Thirteen

Hardcore + Dogs Don’t Wear Pants

Posted on March 31, 2022 by Eric Thirteen

Killapalooza 42: Ringu

Posted on March 24, 2022 by Eric Thirteen
Killapalooza 42: Ringu

Ringu films 1-4. What films are even in the Ring franchise?

Nocturama + Monos

Posted on March 17, 2022 by Eric Thirteen
Nocturama + Monos

Kids doing bad.

Klute + Cruising

Posted on March 10, 2022 by Eric Thirteen
Klute + Cruising

It’s time for a saucy double feature.

One Hour Photo + Arrebato

Posted on March 3, 2022 by Eric Thirteen
One Hour Photo + Arrebato

Two films lost to time – one that’s probably in the back of everyone’s DVD box collection somewhere, and another that is just now being released in the United States (40 years later!) Plus: Eric talks about getting into analogue filmmaking in 2022. One Hour Photo is so much different now that everyone is the main character from One Hour Photo. Arrebato (also called Rapture) and the Janus films and that subtle but not subtle gag.

Mondo Cane + Twentynine Palms

Posted on February 25, 2022 by Eric Thirteen
Mondo Cane + Twentynine Palms

A tour through exploitation and the new french extremity lands on a definitive world episode. Mondo Cane turns out to be more of the exploitation landscape than many realize. Twentynine Palms is THE film to coin the term New French Extremity – or the movie being talked about, anyways. First up – all around the world, there’s free footage! Take a gander and royalty free documentary clips unlikely to be seen anywhere else! Cutting room floor material too hot for no one! Twentynine Palms brings the new french extremity to America. Everyone talks about the ending of Twentynine Palms, but what actually happens in the runtime of this film? Michael presents his most dubious theory of man. How Twentynine Palms earned the name New French Extremity. Where does the new french extreme go from here? Continue reading →

All the Colors of the Dark + Messiah of Evil

Posted on February 17, 2022 by Eric Thirteen
All the Colors of the Dark + Messiah of Evil

Deepcuts for giallo-lovers. All the Colors of the Dark, a giallo favorite. Dream-giallo. Everything you can do when you’re not worrying about story. The great Edwige Fenech, cult sensation and absolute icon. The makeup! Two covers that did the job. Messiah of Evil as a hypothetical American giallo-adjacent horror film out of California. After the psychological but before the franchises, there was 1970s horror. Wandering through California grocery stores at 3am. Continue reading →

Empire Records + High Fidelity

Posted on February 10, 2022 by Eric Thirteen
Empire Records + High Fidelity

Physical media day. A very modern look at Empire Records and High Fidelity. Empire Records, the underdog hero (or at least before the collective delusion that the underdog hero is Blockbuster Video or Tower Records). Found family vs the dicey proposition of working somewhere that asks you to “just think of us like family.” Tower Records as a destination venue. Where were you on Rex Manning day? When the independent record store was too much of a raging success that it just couldn’t stay open. High Fidelity brings everyone to Chicago. The top five listicles that signposted the coming of the end time. Movies about terrible people and the terrible people who misunderstand these movies. Feeling like getting back in touch with music? Explore the music map. Continue reading →

Thirst + Brotherhood of the Wolf

Posted on February 3, 2022 by Eric Thirteen
Thirst + Brotherhood of the Wolf

The not-so-creature-feature. Park Chan-wook, all time genius pervert. Thirst, which is kind of a funny name, really. Here to talk about one thing, and that’s the sensuality of Thirst. How does Thirst make its sex feel more…well, sexy? Subs, dubs, and regional cuts for miles. Hunt down the proper version of Brotherhood of the Wolf and strap in. Continue reading →

Brokeback Mountain + The Death of Dick Long

Posted on January 27, 2022 by Eric Thirteen
Brokeback Mountain + The Death of Dick Long

Why can’t men just talk about their feelings? Two movies look at wonderful and terrible consequences of the unspoken. First up, everyone’s favorite Brokeback Mountain was a landmark film for American cinema. The lesser cited parts of Brokeback Mountain that fucking rock. What reads differently in this movie today. Brokeback Mountain as an example of real positive change in the fight for equality. Some men can discuss their feelings, but only if they’re also having sex sex. And now, for something different. A controversial film explains a very real criminal act. The Death of Dick Long is a story from another planet, but it really did happen here. At the heart of the conflict? Still some men not talking about what’s going on. Some taboos should never be eradicated – but should they remain taboos? A light film about a heavy story about a light headline. Or maybe it’s all dark. Why does this happen in small towns? Continue reading →