Couples, long and short. Double Feature, hyping art and Jim Jarmusch’s Only Lovers Left Alive and Amy Seimetz’s Sun Don’t Shine. Patrons, hyping Double Feature and not picking this week’s films. When in doubt, Tilda Swinton. The curse of immortality. The non-horror, non-vampire-movie vampire movie. Having a sense of scale. The repetition of everything except art. Companionship, perspective, genius, and nihilism. Comparing any given moment in time to the greatest moments in all human history. People kept together through murder. It’s probably not in our best interest to kill each other. Murder as a relationship test. Florida Man, the movie. Whether you sympathize with the person giving or receiving road head. Making films for little money. Festivals and additional content.
You wake up, and suddenly everything is different. Kittie is exciting and nü, like Kickstarter, which helped fund Bokeh and used to almost-fund Double Feature. The things that are out-of-focus. What if everyone else just disappeared? Pragmatism versus religion and nihilism. Having a survivable worldview. Michael makes an argument against survival in a world without new films. There is no point in life; Michael’s okay with that and Eric’s panicking about it. The Signal is a nü and interesting horror anthology. The number of directors in your horror anthology. Films showing small pieces of a global event. Bold choices, like male nudity and a secret anthology full of unreliable narrators. Finding something familiar to hold onto in difficult films. The use of tonal shifts in film and improving the overall narrative through the anthology format.
Adult whimsey, the burden of eternal life, and the vision of Hayao Miyazaki contrasted against Guillermo del Toro. Howl’s Moving Castle. Early use of computers in animation. Animation that looks good has succeeded. Filmmakers should be free to explore, change, and grow. Miyazaki as an anti-war activist. War as background noise to Americans and in Howl’s Moving Castle. Enriching a film with weird characters. Secret Mexican Frankenstein. Unhinged Ron Perlman. ¿Como se dice gravitas en español? The State of American Cinema is … uh, let’s talk about that another time.
Creating art kills humans. Other things that could be done For Your Consideration. Double Feature gets rained on. The happy warrior spirit of creation vs the nihilism of trying to get art made. Eric Thirteen performs for the patreons. Life on set. The drama of film production. For Your Consideration shows how rumors run wild. Double Feature fucks up Christopher Guest. The non-documentary Christopher Guest movie is the most honest. Terry Gilliam and the frustrating life of an artist. Art is hard. The story outside The Man Who Killed Don Quixote makes a call for not ignoring the real-life artist.
Two films about innate genius, giggles, and sniffing. Miloš Forman’s Amadeus is one of the greatest films ever made. Using bookends and unreliable narration to tell a more interesting story. Michael’s firsthand experience of being the Mozart and Salieri in his music career. Madness and genius in film. Double Sleepy Nap Time returns. Tom Tykwer’s Perfume: The Story of a Murderer. Portraying smell in film with the help of macro shots. How did this film get made? Why didn’t people listen to Roger Ebert and see Perfume? Eric discusses the unusually weird ending of Perfume. Michael discusses the totally normal ending of Perfume.
Considering the voice of the writer and cinematographer. A new journey explores the work of David Mamet and Roger Deakins. Learning about screenwriting through brute force, with and without notes. The Untouchables, seen through the writing of Mamet. Poetics and smart, big, bright light cinema. Watching The Ladykillers and listening for the voice of a film after the Coen Brothers. Telling a story exclusively through the visuals. Eric explains dirtying up the frame.
The art life. The horror of what you don’t see and indirectly hurting others through art. Berberian Sound Studio is the best horror film no one has been yelling at you to watch. Making the viewer uncomfortable without showing the horror. Can horror drive its viewer mad? Elevating an actor from supporting to lead to create more compelling art. Dorian Grey makes a return to Double Feature with Albert Lewin’s 1945 adaptation of The Picture of Dorian Grey. Being able to be kind of a dick, but witty enough that everyone still loves you. Oscar Wilde’s characters as versions of himself, and that’s okay. The horror of making someone else suffer the consequences of your lifestyle.
Step into a world of child like wonder. Or maybe one is just, like, smut. It’s time for an adults-are-childen Double Feature. Also, an accidental Dan O’Bannon Double Feature. Tobe Hooper’s Invaders from Mars is a children’s film. What happened to children’s films starring children? Understanding the art of the underappreciated Master of Horror. Weird practical effects and surprise endings. South Park helps keep Michael from having to discuss Heavy Metal directly. Film for horny teenagers and adults who like fun. Further iterations of Heavy Metal and other smutty nonsense. Netflix Non-tent. Defining the lines between nudity, erotica, and porn.
Summer break has arrived. Eden Lake and The Wicker Man: two films about being in the wrong place at the wrong time and doing wrong. Hooded teens and Broken Britain come to your very American hosts with Eden Lake. Eric finally gets to talk about Eden Lake. Fighting children is somehow never considered okay. Machismo, intrusion, escalation of conflict, hopelessness, and razors. The Wicker Man, but not the NOT THE BEES one. Other things notably absent from the horror masterpiece, The Wicker Man: Nicolas Cage, in bear suit, punching an old woman in the face. Purging yourself of Nick Cage so you can enjoy the greatness of the original and the completely different, superior execution of the same story. Mystery cults and being in over one’s head. Religious ritual, sacrifice, and futility of prayer.
Heroes large and small? Michael finally gets to watch Ratatouille. Big Man Japan Bites Dog. Brad Bird returns to the show with Ratatouille, the best Pixar film. Michael attempts to shame Podmanity for never watching the films. The only perfect film is formulaic and entirely predictable. The villain is not really that bad. Hitoshi Matsumoto returns to the show as director and star of Big Man Japan. Getting big to defend Japan from monsters. Legacy superhero and the superhero’s legacy in boredom culture. Using a faux expose documentary to examine aspects of our broader culture. The impact of Man Bites Dog. Careful cultivation of one’s image. Getting your head run over by a film’s ending.