Tag Archives: Martin Scorsese

R100 + Bringing Out the Dead

R100 + Bringing Out the Dead

Two really strange rides when R100 meets Brining Out the Dead. Hitoshi Matsumoto’s weird movie R100. Someone tried to describe R100 like this: An ordinary man with an ordinary life joins a mysterious club. The membership lasts for one year only and there is one rule: no cancellation under any circumstance. The man enters into a whole new exciting world he never before experienced where crazy love goes wilder and crazier. Is it an illusion or is it real? Welcome to the world no one has dared to explore until now! Martin Scorsese’s weird EMT movie Brining Out the Dead. Haunted by the patients he failed to save, an extremely burned-out Manhattan ambulance paramedic fights to maintain his sanity over three fraught and turbulent nights. Some real information from a real nurse might not be the expected. Continue reading

Taxi Driver + I Stand Alone

Taxi Driver + I Stand Alone

Pst. Get secret Double Feature episodes you didn’t know even existed. Tonight: heavy films on breaking points. A look at the psychotic from inside and outside. Keep that bagcat close by. News to no one but Michael Koester: Taxi Drive is fucking amazing! Robert De Niro doesn’t just put movie tickets on his face. As usual, the techniques of filmmaking area useful in making great films. A bit of a character study on Travis. What does Travis want, besides being a Taxi Driver? To clean up the streets or to accidentally clean up the streets, that is the exploitation-biased question. Hoping that no one else hears the fucking Godsmack song when they read the title I Stand Alone. Eric does not ask for an impression. What does Gasper really think? That goddamn Placebo video. Naked is good. Continue reading

After Hours + A Serious Man

After Hours + A Serious Man

Physical vs emotional character journeys, as brought to you by gigantic directors. A step outside the expected. Michael’s evolving relationship with Eyes Wide Shut. After Hours as a day in the life of. Everyone’s favorite third host of Double Feature, Franz Kafka. Martin Scorsese makes movies that aren’t After Hours. Citizens of Los Angeles tell each other secrets about Tim Burton. An odd time for the Coen brothers to make A Serious Man. Front-loaded magic and made up stories. A chain of character-driven events. The greatest trailer of all trailers. An introduction to the work of Roger Deakins. Attempting to explain cinematography without visual aids. Continue reading

Tokyo Drifter + The Departed

Tokyo Drifter + The Departed

A Double Feature episode for the records. Seriously, this is one of the best episodes. Go read Reunion at the Birthday Massacre on Medium. Tokyo Drifter’s punk rock style. The shifting landscape of the asian mafia film. The day petting the white cat doesn’t work like it should. Meanwhile, back in North America: the western. Competing ideas across an ocean. The look of the stage. Martin, the departed, and that big fluffy cat again. The infamous camera work. Who’s in the Departed, and what do they want? Ladies and the academy. Adam Rifkin shows Eric Director’s Cut. Continue reading