Tag Archives: Stuart Gordon

Deep Rising + Dagon

Deep Rising + Dagon

Something blue. What is aquatic horror? How Deep Rising under-sells what’s special about it, and what a proper logline of the actual movie would look like. The rag-tag crew trope. What fears does aquatic horror tap in to? The overwhelming size of big. The mystique of the shadow. Old CGI is finally coming into it’s moment. Controversial opinions on the truth behind the best eras of practical effects. When different low budget film makers get larger budgets. The unique films of Stuart Gordon. The character of the independent director. The artist’s hand. Cancel the ocean. Something old, something new, something borrowing, something blue will return. Continue reading

From Beyond + Class of 1999

From Beyond + Class of 1999

Midnight movies once again illuminate the room with their pale blue light. A listener request makes Michael sneaky. Stuart Gordon and the true third wheel. What about the lighting makes From Beyond feel like a midnight movie? Late night cinema warms the collective human heart. What we choose to address (and the importance of what is not addressed). Class of 1999, the followup to that other movie you didn’t see called Class of 1984. A future that never was. Double Feature considers what mankind’s bleak view of the future reveals now that we can look back on it. Continue reading

Gattaca + Re-Animator

Gattaca + Re-Animator

Science comments on things you might not expect! In years past. High school biology. Natural vs modified. What Gattaca is actually about. The vision of the future. The more futuristic vision of the future. Focused storytelling without distraction. Jeffry Combs as Herbert West in Re-Animator. Extreme academics. Hans Gruber. An alternative to “that’s what you want!” Special Effects. Finally using the Frankenstein story to ask a different set of philosophical questions. Where does the will reside? Giving back life or animated the dead. Out with the old, in with the new! A specific breed of dark humor. Rectifying humanism and dark humor. Continue reading

Stuck + The House of the Devil

Stuck + The House of the Devil

City dangerous vs suburb dangerous. Two films, each a play on the trapped-in-one-place mechanic. Michael Koester is not actually an exorcist. Based on actual events? Zeitgeist contributing to a movie’s success vs basing a movie on the current zeitgeist. Stewart Gordon and new homeless. Intentionally flat characters. Reactions to brutality. Director masturbatory slow motion. Dissection of slow motion violence. Brandi Boski is the worst human being alive (but Mena Suvari is a wonderful person). If you drive drunk, you are the worst human being alive. An example of Stuart Gordon at his best. Another way Ti West’s The House of the Devil could have ended (and why). What is city danger? What is a suburb? The devil. You don’t need any evidence to be based on a true story. You don’t need a true story to be based on a true story. You don’t need a story to be based on a true story. Groups of five. Bring on the tannis! Power plays. Tom Noonan as Mr Ulman. Ti West improves on the throw back. Resisting the urge. Continue reading