Hammer and Disney collide once again.
The global nightmare that is the Hot Tub Time Machine and Timecrimes episode is finally here.
Hell and the parties you can have there.
External and internal pressures. Double Feature covers an audience-directed horror movie, Prep School! After weeks of discussing the difficulties of creating independent film, Prep School offers the opportunity to support one. A discussion on the finer points of fucking up your classmates and doing horrible things. When the protagonist is too sad to be the in the movie. Institutions that protect their members from being punished by the laws and rules the rest of society adheres to. Firestarter, the first and basically only film about starting a fire with your mind. A secret alternate plot within Firestarter. Michael finds joy in murdering some parents. Where the fuck are all the pyrokinesis movies? Continue reading
Folklore, moral tales, satanic torture orgies and other fun life lessons to live by. Embrace the subtitle. Tumbbad, the remake of the film no one has seen called Tumbbad. Greed and the fun things you can do with it. Luring the audience into a moral smackdown. “Please stop talking about short films like anyone watches them” says guy who made short film. What the fucking fuck happened in Baskin? An extended chase in a circle masquerading as constructive conversation. Something bad is going on. Murdering orgies and the ceremonies they murder in. When you don’t understand something in a horror movie, just tell everyone it’s Dante’s Inferno or whatever. Continue reading
Artsy smuthouse. French people create trouble, every day. Looking at Trouble Every Day as a French extreme film. No one trusts Vincent Gallo, even if his character deserves it. Some kind of plot is derailed by sexy times. When the erotic meets splat. Is there a supernatural element? Blood and body parts. How the new French extreme uses violence in a way other horror films do not. Where A Dangerous Method sits in the David Cronenberg lineup. A film about Carl Jung and Sigmund Freud is really about their ideas more than about the men themselves. Ok, actually this film is all about Keira Knightley. A psychotic performance in an arc worthy of give Keira Knightley an auteur label. Continue reading
Imaginary friends that society just won’t accept. Swiss Army Man, Sundance, and Highland Park, California. Who or what are Daniels? hen the harsh light of day hits at the end of Swiss Army Man. A film 2018 people would be saying is the much-needed conversation about understanding. Accidentally falling in love with monsters. There’s a time and a place for invisible rabbits. The vague mental health issue seen in the film Harvey. How a lack of specificity creates greater inclusion. The massive appeal of cinema classics. Expanding the possible commentary Harvey provides. Despite ongoing attempts at a truce, witches still don’t really like one of the hosts of Double Feature. Continue reading
Approaching the unapproachable slashers. Halloween and Puppet Master get loaded updates. “Not for everyone” for the masses. When the remake is no longer enough. Deep fan service in production instead of easter eggs. Getting the band back together. What does slasher trauma actually look like? The sad consequence of growing up scream queen. New family dynamics. Puppet Master: The Littlest Reich might not give a fuck. Ok, it’s called The Littlest Reich, clearly it doesn’t. Humor where you would least expect it. When VOD is the preferred medium. Fangoria makes movies! The special effects brutality of the Mortal Kombat style parallel universe. How Puppet Master feels gorier than even possible. The ending of Puppet Master might be the most shocking thing on today’s show. Continue reading
Father son pair Mario Van Peebles and Melvin Van Peebles have two movies that tells stories of very different times and places. First up, a trip back to the early 90s. Everyone is worried about crime, crack is a problem, and there’s an issue with the police that isn’t be talked about. Also people hadn’t even seen Pooka yet. Back in the 1970s, Melvin Van Peebles set out to prove there was an audience for a new kind of movie. Looking at the demand Sweet Sweetback’s Baadasssss Song capitalized on. What it takes to make in independent film when no one fucking believes in you. Creating an entire decades long genre just to prove your point. Continue reading