Drive Angry + The Weather Man

Drive Angry + The Weather Man

This insane thing called Cage Match brings you two Nicolas Cage films! Is Nicolas Cage a good actor? Is he in good films? Are bad films his fault? Someone does humanity a service by performing the experiment. Drive Angry and the death of 3D movies. The relationship between Drive Angry and Shoot em Up. The level of awareness. The less considered level of not giving a fuck about awareness. The Weather Man – even more subtle in context. Product placement and general airborne fast food items. What you’ve become while you weren’t looking. Can people amount to more than one thing? Continue reading

The Mummy + Logan’s Run

The Mummy + Logan’s Run

The Universal Monster and Classic Sci-Fi adventure continues! A longevity pair featuring two films about human vitality. What The Mummy’s really about. Boris Karloff and the skeptical eye. What a curse really means, and who’s afraid of it anyways. What sets The Mummy apart from Universal’s other classic monster films. Logan’s run, which is different than Silent Running and Blade Runner. The sex, the edits, and the Barbarella. Mortality and religion. There is no afterlife! A popular audience once again ignores the overt religious metaphor. Without God, who brings Cats to the Internet (answer: atheists). Continue reading

2001: A Space Odyssey + 2010: The Year We Make Contact

2001: A Space Odyssey + 2010: The Year We Make Contact

An icon of cinema gets paired up with the sequel you didn’t even know existed. Can what started as a cruel crowd-funding joke become more than Stanley Kubrick blasphemy? Spoiler: Yes! A newcomer’s take on 2001: A Space Odyssey. A contender for most parodied film of all time. Hal and Siri. Beauty, perfection, simplicity. The monolith as everyone’s favorite object. Everyone is afraid to talk about what the fuck happens at the end of 2001 – or, Double Feature is stupid enough to talk about what the fuck happens at the end of 2001. Analysis of the fetal acid trip. Previous, on what’s now a franchise. 2010: Is this really happening? Your options in creating the impossible. Popular opinion and the one line film review. Continue reading

The Brood + Xtro

The Brood + Xtro

Creepy monster science fiction. What lurks on Channel X? David Cronenberg’s early film The Brood. Psychoplasmatics. Where’s the scam? How Cronenberg creeps differently in The Brood. Another pause to consider body horror. Motherly themes. A creative and fitting take on the hero test. The thing is Xtro is funky scary. What else is Xtro up to? A collection of memorable what-the-fuck television moments. A world without that protagonist! Pre-internet viral speculation (ask your friends about that one). Other installments of the Xtro franchise. Yes, franchise. A past Double Feature connection. Continue reading

Friday + Metropolitan

Friday + Metropolitan

Surprisingly tasteful culture shock! Challenging yourself to expand your horizons. How Michael got into the Friday franchise. An only somewhat related conversation about Quentin Tarantino’s favorite films. Admitting an embarrassing truth to yourself. High society, deb parties, and places Alice could never go. Someone in 2014 references Deadsy. Who doesn’t love preschool? We need to talk about board games. How Cards Against Humanity manages to be awesome and the worst fucking on planet Earth. Apples to Apples speaks on behalf of all wasted time at every gathering that’s ever happened. Unique individuals with fascinating backgrounds based on difficult choices they’ve made all walk into a room, then miss the opportunity to share about any of that. The painful normality of the 1%. Continue reading

Django Unchained + Only God Forgives

Django Unchained + Only God Forgives

A new-ish movie double feature from two returning director/writers. The multitude of Django Unchained actors, including Quentin Tarantino himself. Everything about Django Unchained people miss while they’re thinking about how racially progressive they are. A look at Django in three character-centric episodes. Tarantino pulls out mid-orgasm. No one talks about Tarainto’s new man-filled universe. Nicolas Winding Refn returns to the insane. How to do you find the right questions for Only God Forgives? Inevitable comparisons to David Lynch. The visual style of Only God Forgives. The quiet man. The east and west have their own single feature. A conversation in themes. Making sense of the ending. Continue reading

Network + Pump Up the Volume

Network + Pump Up the Volume

Double Feature speaks to the masses. The resistance sticks it to the man. Sidney Lumet’s Network. Talking Aaron Sorkin and David Mammet. Sensationalism and the Death Hour. What would Diana’s vision truly look like? Articulating rage. The Mao Zedong hour. The corporate cosmology of Arthur Jensen. A downward path and striking close to home. The battle cry! The dry assassination via television. Fuck the FCC! Pump Up the Volume! Listening to people masturbate. The death of brand loyalty. The misunderstanding of intention. The responsibility of celebrity. The moral battle lines. High school pressure. High school fucking sucks, and the point really is just to get through it so you can start your actual life. Continue reading

The Frighteners + Memoirs of an Invisible Man

The Frighteners + Memoirs of an Invisible Man

Comedy does horror and horror does comedy. Two bizarre offshoots from unexpected directors. Peter Jackson, Robert Zemekis, and Marty McFly. Part Beetlejuice, part Drag Me to Hell. Jeffrey Combs of not just The Attic Expeditions. Long-haired Michael J Fox plays baseball. Psychics never really see it coming. What a real world with real paranormal would look like. The terror reaper. John Carpenter does a comedy with Memoirs of an Invisible Man. Handover the gimmick! The bubblegum. Stephen Tobolowsky chats with Sam Neil. Hiding the building and showing Chevy Chase. Once collective audiences have exhausted the vanishing exercise. The mind games you play as a child. Moving deeper into the theoretical. The heavy downsides of invisibility. Even food is depressing. Carpenter and the studios. Continue reading

Killapalooza 20: The Living Dead

Killapalooza 20: The Living Dead

The Living Dead film. George A. Romero’s six zombie films. Night of the Living Dead. The undead and the inevitability of human demise. Dawn of the Dead. Consumers and their shopping. Things people didn’t steal from Romero’s films. Day of the Dead. Man plays science. The next evolutionary step. Metaphores for metaphors. Land of the Dead. The dead strike back! An unpopular opinion. Shock and awe. Class warfare. Romero’s back with Diary of the Dead. Handicam vs found footage. In what universe? Film criticism via film. Media and news coverage. Romero does The Newsroom. Survival of the Dead. Educated horses. One of those wrong decisions. Finding a cure. Rebuilding society. What’s the point of living during the zombie apocalypse? Continue reading

The Muppet Movie + Follow That Bird

The Muppet Movie + Follow That Bird

The Muppets meet Sesame Street. A set of Jim Henson and Frank Oz classics. An unedited bit on Scientology. The Muppet Movie is not The Muppets (2011). Keeping a sense of timeless-ness. Celebrity appearances and musical numbers. A variety act. Representing The Muppets. A symptom of core values. Sesame Street Presents: Follow That Bird! Differences between the Muppets and Sesame Street. Subversive child programming. Great news – civil rights are inevitable! Being with your own kind. Taking the conversational bait. Opening a conversation on the evils of tribalism. A different take on tribal mentality. What Follow That Bird shares in common with South Park. The longest running thread on Double Feature. Not such a bad journey. The seedy carnival. A long awaiting up-next. Continue reading